MONTSERRAT COLLEGE OF ART | SPRING 2020
#5 of 9, best (imho).nos 8 and 9, least best, I think because they revert back to cliché-y image of full face.your strongest work gets away from the face (or at least, the face in its most recognizable form), even while it concerns the face.the colors in #5, suggest levels (or "channels") of identity, or (radio) frequencies in which one's identity is known (or hidden).stick with one format (I'd suggest, #5) and work it.
#5 of 9, best (imho).
ReplyDeletenos 8 and 9, least best, I think because they revert back to cliché-y image of full face.
your strongest work gets away from the face (or at least, the face in its most recognizable form), even while it concerns the face.
the colors in #5, suggest levels (or "channels") of identity, or (radio) frequencies in which one's identity is known (or hidden).
stick with one format (I'd suggest, #5) and work it.